major labels: some of your friends are already this fucked MAXIMUMROCKNROLL #133  

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All the material on the following pages is from MAXIMUMROCKNROLL #133 (June 1994). Given that it was written in 1994, much of the major label hierarchy referred to is no longer accurate—many of the labels have died, some of the labels that are referred to as being indie have since been bought by a major, and even some of the majors' subsidiary labels have been sold off to other majors. Similiarly any addresses, phone numbers, or prices listed may now be out of date. However, the lessons to be learned from these columns and articles are still applicable today.

If you've never read MRR then you have an adventure ahead of you. Columnists are given the issue's topic but are free to ramble as they please on to any other topic that might be on their mind. In some cases, the commentary on major labels is buried deep within quite unrelated material (and opinions among columnists may even contradict one another). If you're easily offended by the exploration of ideas and philosophies outside of mainstream culture turn back now because I guarantee you will find discussion of at least one topic that pushes the philosophical envelope for even the most liberal of us. That's the beauty of independent thought....like independent music.

Columns

Articles

  • How The Game Works
    lowdown on scam indies and major label distribution from Bobby S. Fred
  • The Problem With Music
    Steve Albini's step by step study of a band signing to a major label—excerpted from The Baffler
  • Corporate Rock, Punk?
    Brian Zero follows the major label tree back to its corporate roots and discusses community responsibility
  • What's A Mata, Dor?
    Gerard Cosloy voluntarily ties the hangman's rope to the tree in this article from Greg Lane on the Matador/Atlantic relationship

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